Amélie - Wikipedia. Amélie (also known as Le fabuleux destin d'Amélie Poulain; French pronunciation: ​[lə. English: The Fabulous Destiny of Amélie Poulain) is a 2. French romantic comedy film directed by Jean- Pierre Jeunet.

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Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre. It tells the story of a shy waitress, played by Audrey Tautou, who decides to change the lives of those around her for the better, while struggling with her own isolation. The film was a co- production between companies in France and Germany. Taking in over $3.

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French- language film released in the United States, and one of the biggest international successes for a French movie.[3]The film received critical acclaim and was a major box office success. Amélie won Best Film at the European Film Awards; it also won four César Awards in 2. Best Film and Best Director), two BAFTA Awards (including Best Original Screenplay), and was nominated for five Academy Awards. Amélie Poulain (Audrey Tautou) is born in June 1. To cope with her loneliness, Amélie develops an active imagination and a mischievous personality. When Amélie is six, her mother, Amandine (Lorella Cravotta), is killed when a suicidal Canadian tourist jumps from the roof of Notre- Dame de Paris and lands on her.

Buy Little Dot MK2 MKII 6J1 X2 6N6 X2 Headphone Amp Amplifier Pre-Amp Tube: Amplifiers - Amazon.com FREE DELIVERY possible on eligible purchases. Features cast and crew details from the Internet Movie Database. In his DVD commentary, Jeunet explains that he originally wrote the role of Amélie for the English actress Emily Watson; in the original draft, Amélie's father was.

As a result, her father Raphaël's (Rufus) withdrawal from society worsens. The Stanford Prison Experiment Full Movie there. Amélie leaves home at the age of 1. Café des 2 Moulins in Montmartre, which is staffed and frequented by a collection of eccentrics.

Single but not a virgin, she finds contentment in simple pleasures like dipping her hand into grain sacks and cracking crème brûlée with a spoon, and lets her imagination roam free. On 3. 1 August 1. Princess Diana, Amélie drops a plastic perfume- stopper which dislodges a wall tile and accidentally reveals an old metal box of childhood memorabilia hidden by a boy who lived in her apartment decades earlier. Amélie resolves to track down the boy and return the box to him. She promises herself that if it makes him happy, she will devote her life to bringing happiness to others. After inquiring the apartment's concierge and several old tenants about the boy's identity, Amélie meets her reclusive neighbour, Raymond Dufayel (Serge Merlin), an artist with brittle bone disease who repaints Luncheon of the Boating Party by Pierre- Auguste Renoir every year.

He correctly recalls the boy's name as "Bretodeau". Amélie quickly finds the man, Dominique Bretodeau (Maurice Bénichou), and surreptitiously gives him the box. Moved to tears by the discovery and the memories it holds, Bretodeau resolves to reconcile with his estranged daughter and the grandson he has never met. Amélie happily embarks on her new mission. Amélie secretly executes complex schemes that affect the lives of those around her.

She escorts a blind man to the Métro station, giving him a rich description of the street scenes he passes. She persuades her father to follow his dream of touring the world by stealing his garden gnome and having a flight attendant friend airmail pictures of it posing with landmarks from all over the world. She starts a romance between her hypochondriacal co- worker Georgette (Isabelle Nanty) and Joseph (Dominique Pinon), one of the customers in the bar. She convinces Madeleine Wells (Yolande Moreau), who lives on her block of flats, that the husband who abandoned her had sent her a final conciliatory love letter just before his accidental death years before.

She uses gaslighting tactics on Collignon (Urbain Cancelier), the nasty greengrocer. Mentally exhausted, Collignon no longer abuses his meek but good- natured assistant Lucien (Jamel Debbouze). A delighted Lucien takes charge at the grocery stand. Mr. Dufayel, having observed Amélie, begins a conversation with her about his painting, a copy of Luncheon of the Boating Party. Although he has copied the same painting 2.

They discuss the meaning of this character, and over several conversations Amélie begins projecting her loneliness onto the image. Dufayel recognizes this, and uses the girl in the painting to push Amélie to examine her attraction to a quirky young man, Nino Quincampoix (Mathieu Kassovitz), who collects the discarded photographs of strangers from passport photo booths.

When Amélie bumps into Nino a second time, she realizes she is falling in love with him. He accidentally drops a photo album in the street. Amélie retrieves it. Amélie plays a cat- and- mouse game with Nino around Paris before returning his treasured album anonymously.

After arranging a meeting at the 2 Moulins, Amélie panics and tries to deny her identity. Her co- worker, Gina (Clotilde Mollet), concerned for Amélie's well- being, screens Nino for her; Joseph's comment about this misleads Amélie to believe she has lost Nino to Gina. It takes Dufayel's insight to give her the courage to pursue Nino, resulting in a romantic night together and the beginning of a relationship, and Amélie finally finds happiness for herself. Audrey Tautou as Amélie Poulain.

Flora Guiet as young Amélie. Mathieu Kassovitz as Nino Quincampoix.

Amaury Babault as young Nino. Rufus as Raphaël Poulain, Amélie's father. Serge Merlin as Raymond Dufayel, "The Glass Man"Lorella Cravotta as Amandine Poulain, Amélie's mother. Clotilde Mollet as Gina, a fellow waitress. Claire Maurier as Suzanne, the owner of Café des deux moulins.

Isabelle Nanty as Georgette, the resident hypochondriac. Dominique Pinon as Joseph. Artus de Penguern as Hipolito, the writer. Yolande Moreau as Madeleine Wallace (Wells, in English subtitled version)Urbain Cancelier as Collignon, the grocer. Jamel Debbouze as Lucien, the grocer's assistant. Watch Private Benjamin Online. Maurice Bénichou as Dominique Bretodeau.

Kevin Fernandes as young Dominique. Michel Robin as Mr. Collignon. Andrée Damant as Mrs. Collignon. Claude Perron as Eva, Nino's colleague.

Armelle as Philomène, air hostess. Ticky Holgado as Man in a photo. Franck- Olivier Bonnet, Alain Floret, Jean- Pol Brissart, and Frédéric Mitterrand as Additional voices. Production[edit]. Au Marché de la Butte, Rue des Trois Frères, Paris, used as the location of Monsieur Collignon's shop.

In his DVD commentary, Jeunet explains that he originally wrote the role of Amélie for the English actress Emily Watson; in the original draft, Amélie's father was an Englishman living in London. However, Watson's French was not strong, and when she became unavailable to shoot the film, owing to a conflict with the filming of Gosford Park, Jeunet rewrote the screenplay for a French actress. Audrey Tautou was the first actress he auditioned having seen her on the poster for the 1. Venus Beauty Institute. The movie was filmed mainly in Paris.

The Café des 2 Moulins (1. Rue Lepic, Montmartre, Paris) where Amélie works is a real place.[4]The filmmakers made use of computer- generated imagery and a digital intermediate.[5] The studio scenes were filmed in the Coloneum Studio in Cologne (Germany). The film shares many of the themes in the plot with second half of the 1.

Chungking Express.[6][7]Release[edit]The film was released in France, Belgium, and French- speaking western Switzerland in April 2. It received limited releases in North America, the United Kingdom, and Australasia later in 2. Cannes Film Festival selector Gilles Jacob described Amélie as "uninteresting", and therefore it was not screened at the festival, although the version he viewed was an early cut without music. The absence of Amélie at the festival caused something of a controversy because of the warm welcome by the French media and audience in contrast with the reaction of the selector.[8]Critical response[edit]On Rotten Tomatoes, the film has an 8. Certified Fresh" rating, based on 1.

The site's critical consensus reads, "The feel- good Amélie is a lively, fanciful charmer, showcasing Audrey Tautou as its delightful heroine".[9] On Metacritic, the film has a score of 6.

Facts About Spider- Man Franchise Screen Rant. There is no denying that Spider- Man is Marvel’s most popular superhero. Not only does he outsell every other Marvel and DC superhero in terms of merchandise, but he’s a fan favorite among children and adults alike (which is precisely why fans lost their minds when news broke that, after years of waiting, they would finally get to see him join the MCU in Captain America: Civil War). After all, what’s not to love?

He has awesome and unique abilities, an interesting and tragic backstory, and, above all, he’s relatable. He isn’t a genius billionaire playboy philanthropist, a super soldier from a different time, nor a god. He’s just a kid trying to juggle high school, family life, and the incredible powers instilled in him by a bite from a radioactive spider. Despite the character’s unparalleled popularity, Spider- Man has only appeared in six films in the last fifteen years.

By comparison, Iron Man has appeared in seven since debuting on screen in 2. Captain America has appeared in six in the last six years alone. Wolverine, meanwhile, has a baffling nine movie appearances since the year 2. Much of this has to do with the powers that be at Sony simply bumbling the character time and time again.

Since Tobey Maguire’s first go as the web crawler in 2. In fact, plenty of interesting tidbits regarding the Spider- Man franchise have come out over the years.

Here are the 1. 5 Things You Didn’t Know About the Spider- Man Film Franchise. If asked who the first actor to portray Peter Parker on film was, many fans of the franchise would wrongfully guess Tobey Maguire, who first assumed the role in 2. The honor actually belongs to Nicholas Hammon, who played the web- slinger in 1. Spider- Man, which was a made- for- TV movie that premiered on CBS in 1.

Featuring impressive special effects for the time, the film was well- received by audiences, earning a 1. CBS production of the year. The film acted as a pilot for The Amazing Spider- Man television series, which was subsequently picked up by CBS. The series ran for two seasons in 1. CBS pulled the plug citing its desire to not be perceived as a “superhero network.”In an interview with SFX magazine, Nicholas Hammon claimed a revival of the series was in the works in 1.

The Incredible Hulk, but Lou Ferrigno (who played the Hulk in the original series) has since claimed to have no knowledge of such an event. Bryan Singer’s original X- Men film was groundbreaking in the sense that it showed movie studios that superhero films can crush both the domestic and foreign box offices. X- Men was a box office juggernaut that earned $2. Since Spider- Man would hit theaters just two years later, it’s no surprise producers wanted Hugh Jackman’s Wolverine to make a cameo.

In an interview with the Huffington Post, Jackman revealed that he was in New York around the time Spider- Man was filming and that his character nearly made an appearance. Jackman said, “we really tried to get me to come on and do something … The problem was, we couldn’t find the suit. And so when they were in New York when I was there, we couldn’t get it together.”The intricacies of a deal that could have brought Wolverine (whose film rights belong to 2. Century Fox) into a Spider- Man film (owned by Sony) are tough to figure, but nonetheless intriguing. The two studios could have begun creating a shared universe a full six years before Marvel Studios would work toward doing the same with 2.

Iron Man. 1. 3. The 2. Spider- Man was filmed in New York City throughout most of 2. World Trade Center. The first poster for the film featured a reflection of the twin towers in Spider- man’s eye, the towers could be seen in the background of several shots of the city’s skyline, and even the main set piece of the first teaser- trailer for the film featured a helicopter caught in a web built in between the massive skyscrapers. Then the towers fell following the 9/1. The original teaser- trailer and poster were immediately pulled (though both can now be found online) and virtually all traces of the towers were digitally removed from the final cut in post production.

However, one subtle reference to the towers remains. Mid- way through the film, there is a close- up shot on Spider- Man’s mask where a reflection of the two towers can be seen in his eye. It’s a quick shot that can be missed in the blink of an eye, but is present nonetheless. At the time of its release, the hype surrounding Sam Raimi’s Spider- Man was unprecedented.

Following the aforementioned success of X- Men, audiences around the world were ready to see their favorite superheroes on the big screen. Then came the soon- to- be pulled teaser trailer and the anticipation continued to grow. The trailer debuted next, and gave audiences their first view of not only of the hero himself, but also the movie’s incredible effects. Twenty- four years after Superman made audiences believe a man could fly, Spider- Man made them believe a man could swing from a web.

Sony easily turned this massive hype into the biggest box office opening weekend the world had ever seen, as the film would earn $1. Harry Potter and the Sorcerer’s Stone. Spider- Man became the first film to earn more than $1. Star Wars: Episode I- The Phantom Menace and The Sorcerer’s Stone accomplished the feat in five), and also broke Potter’s second week record by earning $7.

Harry. Simply put, the film was a massive success. Thirteen years after its release, Spider- Man 2 remains one of the most highly- rated comic book movies of all time. It improved on the original in nearly every way, boasting better effects, deeper character development, and one of the most compelling villains in Alfred Molina’s Otto Octavius, aka Doctor Octopus. Molina is brilliant in the role and makes Octavius’ transition from earnest scientist to misguided supervillain utterly believable. Add to this Peter’s relationships with Octavius, Mary Jane, and Harry, and the result is a terrific film.

Looking back now, it’s hard to imagine Spider- Man 2 being anything other than the film it was, but early drafts of the screenplay were entirely different. The original screenplay (written by Michael Chabon and leaked online) featured a young, single Otto Octavius who competes with Peter for the attention of Mary Jane, and the revelation that Octavius was partially responsible for the spider that gave Peter his powers.

Because of this, Octavius is in possession of a microchip that he uses to reverse the effects of the bite and sap Peter of his abilities. There’s also a subplot involving Harry offering a $1. Spider- Man that puts the web- crawler in constant peril. Following the critical successes of the first two movies, the pressure was on Spider- Man 3 to deliver once more. Unfortunately, the introductions of the black- suited Spider- Man, emo Peter, Gwen Stacy, and the Sandman, in addition to Harry’s transition into the Green Goblin and the origin of Venom, proved too much for a single film to bear.

The result was an over- bloated mess. As it turns out, the film’s writer sensed there was too much happening and wanted to split the film in two. The original screenplay for Spider- Man 3 was much simpler than the finished product, and was much more focused on Peter, MJ, Harry, and Flint Marko, aka Sandman. According to Raimi, at the film’s core was Peter’s journey to forgiveness following the death of Uncle Ben at the hands of Marko. Then producers suggested adding the symbiote, Venom, and Gwen Stacy to the mix, and Raimi hesitantly obliged. Feeling that the film was becoming too complex, Alvin Sargent (one of the screenwriters along with Sam and Ivan Raimi) wanted to break the film in two. Unable to find a satisfying intermediate climax for the two films, Sargent crammed everything into the film, and it suffered overall.

Sam Raimi left the franchise. Despite underwhelming reviews, Spider- Man 3 was a massive box office success (earning $8.