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Certain thrillers never go out of style (Bruce Willis will surely one day play John Mc. Clane abseiling  out of a nursing home) but others somehow slip under the radar. Poor publicity can often be blamed on a lack of star power or budget, but there are also some top- notch, celebrity- filled movies which have been inexplicably lost among the flurry of inane, conventional popcorn flicks. Here's a roundup of some of the little gems which have been forgotten or just don’t get enough love, goshdarnit.

The Disappearance Of Alice Creed (2. By now we're all familiar with the "Kidnapping isn't as simple as we thought it would be" thriller, but this Brit flick is especially effective; the storytelling is so taut and the actors so skilled that you'll barely notice that the entire cast consists of three people.

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Eddie Marsan is the experienced professional criminal, Martin Compston his brash young apprentice, and Gemma Arterton  their kidnappee; her daddy has money and she's an easy target. The film isn't perfect; there are a couple of improbable moments ("Ooh, someone's unconscious, let me get the little bottle of reviving essential oils I keep handy for just such a purpose, because splashing someone's face with water might require too many re- takes..").

The nudity from Gemma Arterton serves no purpose other than livening up the first ten minutes (and possibly getting the movie financed) but things soon get more interesting. From the introductory scenes of wordless, methodical preparations for the crime, J Blakeson's directorial style is all about showing, not telling.

The result is almost unbearable tension throughout, and plenty of surprises, twists, and betrayals to keep you guessing. Add to this a satisfying ending, and a memorable scene involving a toilet and a bullet case, and you have proof that even the most basic of sets and budgets can make a fantastic film noir.

Burning Bright (2. This is a film about two kids trapped in a house with a hungry tiger. What’s that? You like it already?

Briana Evigan (the young Demi Moore lookalike from Sorority Row) stars as Kelly, a teenager loaded with adult responsibilities. After her mother dies, she is left with an autistic brother  who needs a lot of extra care, and a useless stepfather who siphons off her college fund to, er, buy a tiger. The night of a bad hurricane, Kelly and her brother Tom stay in the barricaded house while their stepfather is killing time at the pub. And then they realise they are not alone.. The big cat is the real star of the show; he is stunningly beautiful, which means you’re less likely to react with the screeching of “JUST KILL HIM!” which usually accompanies horror films (or is that just me?).

He lacks the menace of the lions in Val Kilmer classic The Ghost And The Darkness, partly because he seems somewhat inadequate in basic tiger skills. For instance, he can walk around a room quite unable to spot or smell his live, trembling prey. However, he is fantastic at battering down doors. In fact, he can get through the average door in a matter of seconds, although it does take him a while to crash through a flimsy slatted closet. Essentially, this is a Grimms' fairy tale with all the trappings of a modern thriller (that is, a lithe young woman running around in her underwear) and some genuinely great shocks. The scene involving some slowly dripping sweat would have made Hitchcock proud. Blood Simple (1. 98.

Long before John Mc. Naughton's Wild Things, the Coen brothers' debut was the original convoluted plot in which nobody (least of all the characters) knows what’s going on.

Abby (Frances Mc. Dormand) is unhappily married to Marty (Dan Hedaya) but having some fun on the side with Ray (John Getz) who works at her husband's bar. Marty finds out and hires a private investigator to track the couple. Now, here's where things get tricky - and it would ruin the movie if I told you too much.

Let's just say there are a couple of murder plots, and a few things go wrong. Nobody really trusts anyone else, and wouldn't you know it, guns can run out of bullets at the damndest times. Just like the film noirs of old, the cast of characters are all flawed and not particularly easy to root for.

Special mention must go to M Emmet Walsh, who is fantastically sleazy as the devious private detective.) Despite the sequence of events being  somewhat unlikely, the film makes each step a believable and logical part of the chain. This tangled web creates some darkly comic moments , including a scene in which one person thinks they're being thanked for disposing of a body, when actually it's more of a "Thanks for calling!" situation. As it's the Coen brothers, there are some particularly gruesome moments, along with the tight plotting and constant surprises. The story is inventive enough to make "Guess what happens next" an almost impossible game.. The Skeleton Key (2. OK, so it has some big stars (Kate Hudson, John Hurt, Peter Sarsgaard) and it’s not un- famous.

So why doesn’t this little cracker of a movie rank up there with The Ring (from the same writer) or Paranormal Activity? It’s way more fun! If you’re used to New York or LA- centred films, it’s refreshing to find one that explores the steamy, swampy depths of Louisiana.

Naturally, in such a setting the story has to involve the deep dark secrets of Hoodoo. If you liked Angel Heart, you'll love this (it has the added benefit of flawless internal logic). Watch The Paper Online Iflix. Kate Hudson plays Caroline, a hospice nurse who takes a new job living with Benjamin (John Hurt), an elderly man who has been incapacitated after a stroke.

At least that's what his wife Violet (Gena Rowlands) says, although Caroline begins to suspect there is more to this story when Benjamin seems terrified of his wife. Peter Sarsgaard is the estate lawyer and potential love interest offering Caroline support. We're more accustomed to Kate Hudson being adorably perky  in romcoms, but she makes a great scream queen too. This movie has it all: dark and stormy nights, creaky doors, spooky records and attics full of weird dolls and magic spells. It also has one of the best- ever horror endings; it's rare that a film has the courage to make the conclusion fit into the story so logically.

And that's all I'm saying.) A second viewing will illuminate all the deliciously creepy little details you missed the first time, and does nothing to assuage the nerve- jangling sense of dread as the mystery deepens. 8. Black Water (2. 00. It's a simple story: three tourists and a laid- back guide take a tincan fishing boat down a lonely backwater in the Mangrove swamps of Northern Australia.. That's right, one hungry hungry crocodile. When the boat proves to be all too capsizable, the surviving members of the group  climb trees to get clear of the water.

But with no solid ground in sight, that's just the beginning of their ordeal.. Characters in horror films generally make incredibly stupid decisions; why call the police and solve your problem in five seconds flat, when you can run upstairs and hide in a cupboard? Writer and director team Andrew Trauki  and David Nerlich reject this MO and simply show desperate people in a desperate situation. When you have very few options, there aren’t many sensible choices you can make - any action risks death by crocodile,  but simply waiting and hoping to be rescued means a slow demise through dehydration and exposure. Trauki exploited these themes again in his equally gripping 2. The Reef). Like most "based on true events" films, this seems to be inspired by little more than the fact “some people were eaten by a crocodile once,” but it perfectly captures the eerie peacefulness of the Australian outback. Unlike most movies, it isn’t afraid of silence and the reality of this kind of situation - even when a hungry croc is waiting for you to dip a toe into the water, the mosquitoes will still be an irritating distraction and you'll all get on each other's nerves.