Great Films About Relationships In Crisis. After a big AFI Fest premiere, “By The Sea,” Angelina Jolie’s third directorial outing, opens in theaters tomorrow. The film marks something of a departure for the megastar- turned- helmer: as opposed to the prestige- y conflict dramas of “In The Land Of Blood And Honey” and last year’s “Unbroken,” the new film is a European- style melodrama set in the 1. American couple on vacation whose relationship is put to the test in a major way.

It’s a throwback to a particular kind of movie made by Italian directors of the 1. How successful Jolie has been in capturing the spirit of those movies is debatable (read our review to find out how), but it certainly fits into a long, fine tradition, and with her film arriving imminently, it seemed like a good time to look back across the history of the relationship- in- crisis sub- genre. Take a look below and let us know your favorites in the comments. Watch Growth Dailymotion on this page.

All That Heaven Allows” (1. One of Douglas Sirk’s very best films, “All That Heaven Allows” tells the story of Cary (Jane Wyman), an affluent New England widow who falls in love with her younger, lower- class gardener Ron (Rock Hudson). Of course, their romance upsets the local community, and even Cary’s children reject her newfound happiness as unnatural, causing her to break it off, though after he has an accident, she rethinks her decision and decides that she was too hasty. Later homaged by Rainer Werner Fassbinder (with “Ali: Fear Eats The Soul”) and Todd Haynes (with “Far From Heaven”), both of whom cannily brought race into the mix, here the concerns are more class- conscious, and the film both perfectly captures the life of 1. Sirk’s locations play up the artificial construct of that world), and skewers the hypocrisy and phoniness of the world around them —the way that Cary’s children are portrayed is almost staggering in its lack of sympathy. As ever with Sirk’s work, Iit’s gorgeously shot, and beautifully performed, with Wyman, never a huge star despite an Oscar win for “Johnny Belinda” seven years earlier, expressive and highly layered, and Hudson perfectly cast even when you overlook the overtones that subsequent revelations about his personal life added. The ending might seem a little too happy for a story with such an air of tragedy, but Sirk and his actors never let us forget what they’ve sacrificed or the difficulties that likely lie ahead.

Blue Valentine” (2. Derek Cianfrance’s harrowing “Blue Valentine” isn’t so much a movie about a relationship in crisis as it is about a marriage in freefall, and just exactly how two essentially good- hearted, well- intentioned young people managed to sink so low into an abysmal pit of mental and emotional abuse. The film is as rough and unsparing in its depiction of human error as anything from the golden era of John Cassavetes, and features two career- best turns from beautiful actors who mine some very ugly parts of themselves here.

Michelle Williams plays Cindy, a level- headed young woman who is in the  process of caring for her sick father when she meets Dean (a pre- Meme Ryan Gosling, smoldering with the intensity of a young Paul Newman), a shiftless charmer whose devil- may- care attitude is more damaging in the long term than either of them could begin to imagine. The film’s fragmented chronology exposes a tempestuous tussle with memory, juxtaposing Dean and Cindy at their swooning highs as well as their stomach churning lows. And boy, are the lows low: who can forget the skin- crawling motel scene, or Dean’s nerve- shredding third act freakout in a hospital where he punches a doctor? But Cianfrance, through obviously drawn to melodramatic narratives, is no miserabilist: he’s careful to show just how these two came to fall for each other in the first place (aside from the gorgeously moody score from indie rock outfit Grizzly Bear, “Blue Valentine” also turns Penny & the Quarter’s chipper “You and Me” into a tender romantic declaration, as well as a cry for help). Cianfrance would try his hand at the family epic with his follow- up “A Place Beyond the Pines,” with significantly less successful results.

But “Blue Valentine” is one of the most unflinching looks at heartbreak ever filmed.“Bob & Carol & Ted & Alice” (1. Watch Learning To Drive Download. Paul Mazursky’s wonderful first film “Bob & Carol & Ted & Alice” is unique for its dissection of a certain kind of socially manufactured politeness that is endemic amongst the well read and sexually adventurous of mid- century Los Angeles. The film is about two Beverly Hills bohemian couples who, in the aftermath of one man’s confession to infidelity, declare that they shall tell the truth, the ugly, honest truth, at all costs —in the parlance of Mazursky and co- writer Larry Tucker’s screenplay, they will say what they “feel,” as opposed to what they think.

The idea, illustrated by a hilariously ill- advised trip to a self- help seminar in the film’s opening scenes, is that this unabashed honesty will create real progress in both of the film’s respective romantic courtships. These people are so committed to unvarnished truth telling and allegedly progressive thinking that they’ve forgotten how to be human with each other. They deliberately speak in patronizing platitudes, extolling the virtues of people whom they barely know —they’re so open that they’re about ready to fall apart.

Full List of Inventory 1/27/17. You can search for a specific title by using your computer or other device's search function. If you want a specific list (such as. Original cover by Oleg Volk. Monster Hunter International Five days after Owen Zastava Pitt pushed his insufferable boss out of a fourteenth story window, he woke up. Singin' in the Rain is a 1952 American musical-romantic comedy film directed and choreographed by Gene Kelly and Stanley Donen, starring Kelly, Donald O'Connor, and. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get. These details fail to evoke the enchanted quality of "L'Atalante," which is not about what lovers do, but about how they feel--how tender they are, how sensitive and. Janus Films 215 Park Ave. South 5th Floor New York, NY 10003 booking@janusfilms.com (212) 756-8822.

Bob & Carol” remains Mazursky’s definitive movie because of its shocking, funny and deeply serious dissection of a collective cultural mentality. It’s about the big differences between what people do and what people say, in a way that is exclusive to the city Mazursky portrayed so fondly and so well. Unlike the nebbishy Upper East Side- dwellers of Woody Allen, who remain largely fixated largely on class envy, creative hierarchies and sexual hang- ups, Mazursky’s unwound Angelinos fancy themselves on the brink of a wave of tolerance and progress. They’re perfect, upstanding, morally sound citizens of the world, and they’re also perfect clowns. When the four come to the conclusion that the only logical “next step” in their self- imposed spiritual cleansing is to all sleep together, Elliot Gould’s character casually remarks, “first, we’ll have an orgy.

The movie the book new moon movies trailer crash movie summary essays 7 petala cinta full movie free online the strand movie times Buy Small Crimes 2017 Film. “Baby Driver” and “My Journey Through French Cinema” Edgar Wright’s car-chase extravaganza, starring Kevin Spacey and Ansel Elgort, and Bertrand Tavernier. 846 critics, programmers, academics and distributors have voted – and the 50-year reign of Kane is over. Our critics’ poll has a new number one.

Then we’ll go see Tony Bennett.”“Brief Encounter” (1. He’s perhaps better known now for his grand epics like “Bridge Over The River Kwai,” “Lawrence Of Arabia” and “Doctor Zhivago,” but one of the best films of David Lean’s career was an earlier, much smaller picture: a gorgeous, heart- rending romance that numbers among cinema’s best. Based on Noel Coward’s play “Still Life,” the film sees a middle- class suburban wife Laura (Celia Johnson) relate the story of how a piece of grit in her eye led her to meet charming doctor Alec Harvey (Trevor Howard) while waiting at a railway station tea shop. Both are married with children, but find themselves meeting regularly, eventually in secret, getting ever close to taking a step that might not be undoable. It’s very much a classically British love story, one where what goes unsaid is more important than what is said and where the brief moments where emotional repression slips into a burst of sudden feeling.

All discussions of Marcel Carne's Children of Paradise begin with the miracle of its making. Named at Cannes as the greatest French film of all time, costing more.

Apocalypse Now - Wikipedia. Apocalypse Now is a 1. American epicwar film directed, produced, and co- written by Francis Ford Coppola. It was co- written by John Milius with narration written by Michael Herr.

It stars Marlon Brando, Robert Duvall, Martin Sheen, Frederic Forrest, Albert Hall, Sam Bottoms, Larry Fishburne, and Dennis Hopper. The screenplay, written by Milius, adapts the story of Joseph Conrad's novella Heart of Darkness, changing its setting from late nineteenth- century Congo to the Vietnam War.[4] It draws from Herr's Dispatches[5] and Werner Herzog's Aguirre, the Wrath of God (1. The film revolves around Captain Benjamin L. Willard (Sheen) on a secret mission to assassinate Colonel Kurtz, a renegade who is presumed insane. The film has been noted for the problems encountered while making it, chronicled in the documentary Hearts of Darkness: A Filmmaker's Apocalypse (1. These problems included Brando arriving on the set overweight and completely unprepared, expensive sets being destroyed by severe weather, and its lead actor (Sheen) having a breakdown, and suffering a near- fatal heart attack, while on location.

Problems continued after production as the release was postponed several times while Coppola edited thousands of feet of film. Apocalypse Now was honored with the Palme d'Or at Cannes, nominated for the Academy Award for Best Picture, and the Golden Globe Award for Best Motion Picture – Drama. Initial reviews were mixed.

While Storaro's cinematography was widely acclaimed, several critics found Coppola's handling of the story's major themes to be anticlimactic and intellectually disappointing. Reevaluated in subsequent years, Apocalypse Now is today considered to be one of the greatest films ever made. It ranked No. 1. 4 in Sight & Sound's greatest films poll in 2.

In 2. 00. 0, the film was selected for preservation in the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". In 1. 96. 9, during the Vietnam War, United States Army Special Forces. Colonel Kurtz has gone insane and now commands his own Montagnard troops, inside neutral Cambodia, as a demi- god. Colonel Lucas and General Corman, increasingly concerned with Kurtz's vigilante operations, assign MACV- SOG Captain Benjamin L.

Willard to "terminate" Kurtz "with extreme prejudice". Willard, initially ambivalent, joins a United States Navyriver patrol boat (PBR) commanded by Chief, with crewmen Lance, "Chef", and "(Mr.) Clean" to head upriver. They rendezvous with surfing enthusiast Lieutenant Colonel Bill Kilgore, 1st Cavalry commander, to discuss going up the Nùng. Kilgore scoffs, but befriends Lance after discovering his surfing experience and agrees to escort them through the Nùng's Viet Cong–held coastal mouth.

They successfully raid at dawn, with Kilgore ordering a napalm sortie on the local cadres. Willard gathers his men to the PBR and journeys upriver. Tension arises as Willard believes himself in command of the PBR while Chief prioritizes other objectives over Willard's. Slowly making their way upriver, Willard reveals his mission partially to the Chief to assuage his concerns about why his mission should proceed.

As night falls, the PBR reaches the American Do Lung Bridge outpost on the Nùng River. Willard and Lance enter seeking information for what is upriver. Unable to find the commander, Willard orders the Chief to continue as an unseen enemy launches a strike on the bridge. The next day, Willard learns from dispatch that another MACV- SOG operative, Captain Colby, who was sent on an earlier mission identical to Willard's, had joined Kurtz.[a] Meanwhile, as the crew read letters from home, Lance activates a smoke grenade, attracting the attention of a camouflaged enemy, and Mr. Clean is killed. Further upriver, Chief is impaled by a spear thrown by the natives and attempts to kill Willard by impaling him. Willard suffocates him and Lance buries Chief in the river. Willard reveals his mission to Chef but despite his anger towards the mission, he rejects Willard's offer for him to continue alone and insists that they complete the mission together.

The PBR arrives at Kurtz's outpost and the surviving crew are met by an American freelance photojournalist, who manically praises Kurtz's genius. As they wander through they come across a near- catatonic Colby, along with other US servicemen now in Kurtz's renegade army.

Returning to the PBR, Willard later takes Lance with him, leaving Chef behind with orders to call in an airstrike on Kurtz's compound if they do not return. Chef is later killed by Kurtz. In the camp, Willard is subdued, bound, and brought before Kurtz in a darkened temple. Tortured and imprisoned for several days, Willard is released and given the freedom of the compound. Kurtz lectures him on his theories of war, the human condition, and civilization while praising the ruthlessness and dedication of the Viet Cong. Kurtz discusses his family, and asks that Willard tell his son about him after his death. That night, as the Montagnards ceremonially slaughter a water buffalo, Willard stealthily enters Kurtz's chamber, as he is making a recording, and attacks him with a machete.

Mortally wounded, Kurtz, whispers ".. The horror.. the horror.." and dies. All in the compound see Willard departing, carrying a collection of Kurtz's writings, and bow down to him. Willard then leads Lance to the boat and the duo motor away. Kurtz's final words echo eerily as everything fades to black. For a list of the rest of the cast members not included in the 1.

Apocalypse Now Redux § Cast. Martin Sheen as Captain Benjamin L.

Willard, a veteran U. S. Army special operationsofficer who has been serving in Vietnam for three years. The soldier who escorts him at the start of the film recites that Willard is from 5. Battalion, of the elite 1.

Airborne Brigade, assigned to MACV- SOG. It is later stated in the briefing scene that he worked intelligence/counterintelligence for the U. S. Central Intelligence Agency, carrying out secret operations and assassinations. Both scenes also establish he worked COMSEC. An attempt to re- integrate into home- front society had apparently failed prior to the time at which the film is set (in 1. Vietnam, where he seems to feel more at home. Marlon Brando as Colonel Walter E. Watch Middle Men Online Metacritic more.

Kurtz, a highly decorated U. S. Army Special Forces officer with the 5th Special Forces Group who goes rogue. He runs his own military unit out of Cambodia and is feared by the US military as much as the North Vietnamese and Vietcong. Robert Duvall as Lieutenant Colonel William "Bill" Kilgore, 1st Squadron, 9th Air Cavalry Regiment commander and surfing fanatic.

Kilgore is a strong- willed leader who loves his men but has methods that appear out- of- tune with the setting of the war. His character is a composite of several characters including Colonel John B.

Stockton, General James F. Hollingsworth (featured in The General Goes Zapping Charlie Cong by Nicholas Tomalin), and George Patton IV, also a West Point officer whom Robert Duvall knew.[8]Frederic Forrest as Engineman 3rd Class Jay "Chef" Hicks, a tightly wound former chef from New Orleans who is horrified by his surroundings. Albert Hall as Chief Petty Officer George Phillips. The Chief runs a tight ship and frequently clashes with Willard over authority. Has a father- son relationship with Clean. Sam Bottoms as Gunner's Mate 3rd Class Lance B. Johnson, a former professional surfer from California.

He is known to drop acid.